Praise for Why Hasn’t Everything Already Disappeared?“Unexpected, strange and beautifully done.” – The Guardian (Album of the Week), ★★★★
“So unmistakeably Deerhunter without sacrificing any of their mythos or crucial genetic make-up.”–Clash, 9/10
“Though the band is now squarely in its pop era, the nostalgia that laced its early records has morphed into a timely, fatalistic vision of the future and national decay.” – Pitchfork, 8/10
“He’s replacing guitars with harpsichords to execute a grand detournement from the rock’n’roll genre.” – The Music, ★★★★
“Solid-gold tunes”– Mojo, ★★★★
“In thirty-seven minutes, it offers up a plethora of intelligently crafted societal takes, and yet presents them invitingly enough that you can just let the music wash over you.” – Loud And Quiet (Album of the Month), 8/10
“Their poppiest, most direct album yet” – Q, ★★★★
“They provide a breezy distraction from the chaos outside, and it’s most welcome.”– DIY, ★★★★
Three years after the release of their acclaimed Fading Frontier, Atlanta’s Deerhunter return with therelease of their eighth studio albumWhy Hasn’t Everything Already Disappeared? out now via 4AD / Remote Control.
How do you describe an album out of time, concerned with the disappearance of culture, of humanity, of nature, of logic and emotion? Why make this album in an era when attention spans have been reduced to next to nothing, and the tactile grains of making music have been further reduced to algorithms and projected playlist placement. Why wake up in the morning? Why hasn’t everything already disappeared?
Deerhunter’s eighth LP forgets the questions and makes up unrelated answers. It gets up, walks around, it records itself in several strategic geographic points across North America. It comes home, restructures itself and goes back to bed to avoid the bad news.
From the opening harpsichord and piano figures of ‘Death in Midsummer’, it is impossible to tell where the record came from. Is ‘No One’s Sleeping’ an outtake of an aborted Kinks recording session in 1977 Berlin with Eno producing? No. That is nostalgia. If there is one thing Deerhunter are making clear it is that they have exhausted themselves with that toxic concept.
What they spend their time doing instead is reinventing their approach to microphones, the drum kit, the harpsichord, the electromechanical and synthetic sounds of keyboards. Whatever guitars are left are pure chrome, plugged straight into the mixing desk with no amplifier or vintage warmth. The result is as thrilling, haunting, and unpredictable as anything in their roughly 15-year career.
Deerhunter have made a science fiction album about the present. Is it needed right now? Is it relevant? Perhaps only to a small audience. DADA was a reaction to the horrors of war. Punk was a reaction to the slow and vacant 70’s. Hip Hop was a liberated musical culture that challenged the notions presented wholesale about the African-American experience. What is popular music today a reaction to?