Remote Control Records is pleased to announce the second album from Montreal’s Brigitte Naggaraka Common Holly. When I say to you Black Lightning will be released Friday 11 October viaSolitaire Recordings / Remote Control Records in AUNZ alongside Barsuk Records (USA), Royal Mountain Records (CA) and Dalliance Recordings (UK/EU). First single ‘Central Booking’ premiered overnight via The Fader. Watch the video via the image below.
Holding fast to the emotional honesty of Playing House (2017), Common Holly’s second record, When I say to you Black Lightning is a look outward; an exploration of the ways in which we all experience pain, fear and self-delusion, and how we can learn to confront those feelings with boldness. A swift change of course, When I say to you Black Lightning couples submergence into the dark and dissonant with its consolation in harmony, and a dose of dry humour.
The record is more experimental than Brigitte Naggar’s debut. It is rougher, looser, louder and more atonal. It feels edgy, but still kind. When I say to you Black Lightning ditches fear without losing vulnerability, and trades in sadness for the healing powers of anger, and the strength of observing, recognizing and confronting. Through its 9 labyrinthian yet catchy tracks, shaped sonically by the seriously unique visions of Devon Bate, Hamish Mitchell, and Naggar herself, the album observes the complexities of mental health, the precarity of life, and the challenges of finding strength in the face of grave misunderstanding.
On its own, When I say to you Black Lightning is a phrase which holds authority– it does not apologize for itself, it stands boldly where it is, and yet it also laughs at itself for daring to take up that space. The title phrase is directive—it suggests a thought without completing it, engaging you to contemplate what comes next and pointing the finger away from itself to somewhere undefined. If Playing Housewas about personal turmoil, When I say to you Black Lightning is about humanity’s emotional challenges and how we each approach them as individuals. The former centered around one person and one heartbreak, while the latter circles different characters that Naggar has observed or interacted with—romantically or otherwise, whose stories cumulate in a whimsically entertaining tale of struggle, and the resulting emotional growth.
“This record isn’t one singular statement, it documents a period of growth. The songs were written mainly over two years and they all reflect potent moments from that time. While it’s obviously personal and based off of my own experience, I want this album to feel familiar— life gets complicated as we grow, people form relationships to each other, they lose things, they discover pain, fear, self-delusion; sometimes it’s funny, sometimes it’s weird, often it sucks—and we have to navigate our way through all of that.”
This narration of experience is first introduced on the orchestral opener ‘Central Booking’, (slang for jail), where Naggar illustrates the story of someone whose troubled past forces them to pick up and start over in Canada. Whispering the hook “I’m sorry New York broke you”, she coyly pairs empathy with aloofness—suggesting perhaps that for once, someone else’s concerns might not need to be hers as well—while also playing on the stereotype that Canadians can’t help themselves for apologizing wherever they go.
When I say to you Black Lightningfeels like Naggar’s conversation with herself, meticulously penned to work through challenges as they unfold. It’s cool, and more than that, it feels important. It’s about finding the seeds of strength to navigate adult life, and about the ways in which we all find ourselves in that place of struggle when life starts to show you its cards and you begin to understand, in the artist’s words, “just how real shit can get.”