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“Electric Hills”: the documentary uncovering the Italian roots of electronic music

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DANA GAVANSKI DEBUT ALBUM ‘YESTERDAY IS GONE’ IS NOW AVAILABLE VIA FLEMISH EYE RECORDS

BERLIN-VIA-MELBOURNE’S KRIS BAHA LENDS SLUDGY EBM REWORK TO SONNY’S ‘LIQUID PHASE’

Kris Baha gives sludgy rework to Sonny’s album track ‘Liquid Phase’ | Stream Now

DIDIRRI reschedules AU tour dates, releases new single "Don't fight with what you're fighting for"

Reschedules Australian tour dates for November, and gifts you new music with single “Don’t fight with what you’re fighting for”

https://www.youtube.com/watch?v=GdLLoHn4ndQ

‘NO FUN INTENDED’ THE BRAND NEW SINGLE FROM PICKET PALACE

Frontier Touring wishes to advise that Marc Rebillet will now tour Australia and New Zealand for the first time in January and February 2021. Rebillet was originally set to perform this month, but his tour dates have been rescheduled due to the current COVID-19 crisis and subsequent government directives to restrict all public gatherings in both Australia and New Zealand. In lieu of his originally scheduled Australian and New Zealand tour dates, Rebillet has taken to the internet over this past week to offer fans his Quarantine Livestream Tour. Full sets have been live-streamed at the date and time that Rebillet was set to perform in each Australian and New Zealand city. Catch up on each of the live-streamed sets via Rebillet’s official YouTube, Facebook, Twitter and Twitch channels. Special guest for the new 2021 tour dates will be announced in due course. All existing ticketholders need not take action: original purchases are valid for entry at the rescheduled show dates and fans are encouraged to #KeepYourTicket and attend the rescheduled Jan-Feb shows. Ticketholders will be contacted directly via their show’s authorised ticketing agency regarding these date changes; steps will be provided should the Jan-Feb dates not suit. Frontier Touring and Marc Rebillet sincerely apologise to any ticketholders affected by the rescheduling and thank fans for their understanding and support in these unprecedented circumstances. Limited tickets remain in all cities to Marc Rebillet’s rescheduled tour dates, on sale now via frontiertouring.com/marcrebillet MARC REBILLET AUSTRALIAN & NEW ZEALAND TOUR TOUR RESCHEDULED JANUARY & FEBRUARY 2021 Presented by Frontier Touring TICKETS ON SALE NOW via frontiertouring.com/marcrebillet LIMITED TICKETS REMAINING FOR ALL CITIES Powerstation | Auckland, NZ NEW DATE (Prev. Tuesday 24 March 2020) 18+ SELLING FAST ticketmaster.co.nz | Ph: 0800 111 999 The Forum | Melbourne, VIC NEW DATE (Prev. Saturday 21 March 2020) 18+ SOLD OUT ticketmaster.com.au | Ph: 136 100 Metro Theatre | Sydney, NSW NEW DATE (Prev. Thursday 19 March 2020) 18+ LAST TICKETS ticketek.com.au | Ph: 132 849 Metro Theatre | Sydney, NSW NEW DATE (Prev. Friday 20 March 2020) 18+ SOLD OUT ticketek.com.au | Ph: 132 849 The Fortitude Music Hall | Brisbane, QLD NEW DATE (Prev. Tuesday 17 March 2020) 18+ SELLING FAST ticketmaster.com.au | Ph: 136 100

Marc Rebillet announces rescheduled AU & NZ dates for Jan-Feb 2021 | Limited tickets remaining for all cities!

Laneway Presents, Chugg Entertainment & Frontier Touring wish to advise that Tame Impala will be rescheduling the Australian and New Zealand leg of their upcoming tour to December 2020. The shows, originally planned to be held in April, are no longer able to go ahead due to the current COVID-19 crisis and subsequent Government directives, limiting the size of public gatherings in both Australia and New Zealand. Tame Impala’s December run will begin at Auckland’s Spark Arena on Saturday 5 December and continue through Brisbane, Sydney, Melbourne, Adelaide and Perth. Tickets for all shows are available now. It is with regret that the promoters advise special guests Khruangbin were not available to join Tame Impala on their rescheduled December dates. A new support will be announced in the near future. Ticketholders are encouraged to hold onto their tickets (#KeepYourTicket); all tickets will be valid for the corresponding rescheduled dates. Patrons who are unable to attend the rescheduled shows will be entitled to a full refund from their authorised point of purchase. Laneway Presents, Chugg Entertainment and Frontier Touring apologise to any ticketholders who are inconvenienced by these rescheduled dates and thank fans for their support and understanding during these unprecedented circumstances. One of Australia’s greatest musical exports, Tame Impala released their latest album ‘THE SLOW RUSH’ last month. The record was triple j’s Feature Album on release, with the band delivering stunning renditions of album tracks ‘Lost In Yesterday’ and ‘Breathe Deeper’ on Jimmy Kimmel Live! earlier this month. In a huge coup, Tame Impala claimed Number 1 on triple j’s Hottest 100 of the Decade countdown in March, with their 2015 track ‘The Less I Know The Better’.

Tame Impala announce rescheduled Australia-New Zealand dates for December 2020

Martin Garrix’s ‘Drown’ gets first remix from one of the hardest-hitting upward forces in bass house: Matroda

Martin Garrix’s ‘Drown’ gets first remix from one of the hardest-hitting upward forces in bass house: Matroda

Florian Picasso signs to Universal and readies comeback single ‘Like You Do’

Artists: BROHUG Title: Mixtape 1 Label: BROHOUSE Release date: March 27, 2020 Swedish trio BROHUG is back with their newest release "Mixtape 1," a four-track bundle that perfectly represents their signature bass house sound. The sonic style ranges from more tech influenced tracks like "Party Out", which they've debuted in live sets earlier this year, and released as a single back in February, to the tribal infused "Detox" and the hard-hitting "Say My Name." However, if you are ever in need of euphonious vocals, BROHUG has you covered with "Trouble," which still kicks with a heavy drop and driving basslines. "Mixtape 1" follows BROHUG's "1990" with Kaskade and recently released "Preacher" with Loge21, out on Spinnin' Records. "Mixtape 1" is out on their own BROHOUSE imprint. Regardless of their satirical stage name, BROHUG is not here to play games. Since John Dahlbäck and the Lunde brothers formed BROHUG in 2016, the trio has worked with Ghastly, remixed Steve Angello, and released on labels such as Confession, Spinnin' Records, Dim Mak, Musical Freedom, and their label BROHOUSE. In 2019, their release schedule was packed with relentless hit after hit. Virtually unrivaled, their touring has been intense since the start. BROHUG has really put their name out, with sets on festivals like Ultra Music Festival in Miami and Tomorrowland in Belgium, touring Australia and several tours in the US and Asia. A new decade brings with it new possibilities, so stay tuned to hear more from BROHUG coming soon. More info on BROHUG: BROHUG: Facebook | Instagram | Twitter | Spotify

BROHUG Showcase Their Signature Style on 4-track “Mixtape 1.” Out Now on BROHOUSE

Three composers of the Italian label INRI - Gian Marco Castro, Matthew S and Pietro Roffi joined their talent and creativity to compose a track, to give an important message: music never stops. Daydream, combines different worlds and atmospheres but related to each other, it was spontaneously composed by three artists: the pianist Gian Marco Castro, the producer Matthew S and the accordionist Pietro Roffi. From their home while self-isolating because of the Coronavirus Pandemic, the three composers combined their backgrounds and experience to make a track which part of the profit will be given to charity. The artists’ talent and expertise united to into a track that crosses Italy: Daydream (will be released on March 27th for INRI Classic) it came to life through some dreamy and melancholy atmospheres, carved into the piano, accordion and synth’s melody. A mirror in our present but with a look for hope in the future, a belief that music might be a further cure for the tough times. “The Daydream we’re living right now, a sad dream we want to wake up from but we end up in it every moment. But from the other side it is dreaming for hope, a bright dream we would like to be in.” The single’s cover has a minimal impact: it represents the little and helpless man in his solitude and immersed in the chaos of the universe. A charming black and white video, directed by Luca Kudu Anello, shows the artists’s creative process, framments of the artists’s everyday life during the lockdown: creating a contrast of the inside and outside of their home, framed by the unaware progress of nature.

Daydream: the Quarantine’s Soundtrack

“This was one of the last things I worked on before the world became a very different place. It’s out today and for me carries happy memories of listening to Celeste’s beautiful voice in my headphones in a makeshift studio on my honeymoon. I hope some of the joy of that time lives on. It was an honor work with Celeste and it’s my honor to be able to share it now.” -The Black Madonna

The Black Madonna remixes Celeste’s ‘Stop This Flame’

“The Chats don’t so slow songs. They don’t do sad songs. The Chats do good times and this debut is set to inspire plenty.” - NME ★★★★ “Across 14 tracks, and at just over 28minutes, the Queensland trio get straight to the point – with raw, no holds barred, Aussie punk rock.” – triple J, Feature Album "The Chats crank out 28 minutes of no-holds-barred blistering pub rock here." - The Age EG, Album of The Week “A relentless volley of riotous thrills and beer-splattered spills. - Q ★★★★ “An irresistibly raucous entrée to their word”- MOJO ★★★★ The Chats have released their debut album High Risk Behaviour, available now on Bargain Bin Records/Cooking Vinyl Australia. Stream/Buy High Risk Behaviour here An album that’s over in 28 blistering, funny, sweaty, unforgettable minutes, with half of its 14 songs failing to reach the two-minute mark. Some might call the Queensland trio lazy. Singer-bassist Eamon Sandwith sees it differently. “I don’t want to make the songs boring, so I just keep them short and sweet,” shrugs the man whose mullet became an international talking point following the success of 2017 viral hit “Smoko”. “We try not to think about it or complicate it too much. You don’t want to force it or the song’s going to turn out crap.” The band have also revealed a new animated lyric video for their latest single Drunk N Disorderly, view below. https://www.youtube.com/watch?v=vJtuS4JwMRE&feature=youtu.be The Chats have the cops to thank for the title of their debut album, High Risk Behaviour. If they didn’t keep hassling drummer Matt Boggis about skating in places he shouldn’t – and giving him tickets listing that as the offence – who knows what idiotic title the self-proclaimed “dropkick drongos from the Sunshine Coast of Australia” would have come up with. And yet it’s the perfect name for an album that does not fuck around. An album that sounds like Aussie greats the Cosmic Psychos downing beers with The Saints before doing shots with the Buzzcocks and then spewing it all up behind the kebab van. An album that’s over in 28 blistering, funny, sweaty, unforgettable minutes, with half of its 14 songs failing to reach the two-minute mark. Some might call the Queensland trio lazy. Singer-bassist Eamon Sandwith sees it differently. “I don’t want to make the songs boring, so I just keep them short and sweet,” shrugs the man whose mullet became an international talking point following the success of 2017 viral hit “Smoko”. “We try not to think about it or complicate it too much. You don’t want to force it or the song’s going to turn out crap.” Since forming in their mate’s bong shed in 2016 while still at high school, that attitude has taken The Chats – completed by guitarist Josh Price, who once wrote a song called How Many Do You Do? in which he boasted of doing 52 “dingers” in a night – from the sleepy coastal village of Coolum (located roughly two hours north of Brisbane) to venues around the world. Their fanbase includes Dave Grohl, who loved the video for Smoko so much he showed it to Josh Homme, who then asked the trio to support Queens of the Stone Age on their 2018 Australian tour. Iggy Pop is also a card-carrying member of The Chats’ fanclub, requesting that they support him in Australia in early 2019 and peppering them with questions like, “What’s a smoko?” and “What’s a dart?” The rest of 2019 was spent taking the world by storm armed with nothing more than guitars, drums, shorts, shirts and thongs (or, if it was a formal occasion, sandals and socks). Shows across Australia and the UK were sold out, and they performed their first gigs in America (the LA show was attended by Homme, Grohl and Arctic Monkeys’ frontman Alex Turner). The band capped off the year with a return visit to Britain, selling out venues such as London’s 2,300-capacity 02 Forum. Suffice it to say, life has changed a fair bit for The Chats over the past two years. “Well, I don’t have to work at the supermarket anymore,” says Sandwith. That he does not. In fact Sandwith and his mates have been too busy touring, writing songs and, when their gigs took them to Victoria, dropping into engineer Billy Gardner’s studio in the coastal city of Geelong for a day of recording. That they chose this piecemeal approach explains why the album took 18 months to finish – a luxury considering 2017 EP Get This In Ya took four hours to record one hungover afternoon. “If we’d just done a week and slogged it out we could have had an album before now but we just kept going in there and making newer and better songs so it’s hard to put a stop on it,” says Sandwith. The sessions were fast. “Some of the songs were first-take and we were like, ‘That’s good, whatever’,” says Sandwith. “We’re really not perfectionists.” Remarkably, they still found time to experiment with exotic instruments such as... a tambourine. The end product is an album that buzzes like an out-of-control chainsaw, propelled by Sandwith’s spoken-spit-sung vocals, their three-chords-is-one-too-many approach, and an exacting combination of youth, vigour and drunkenness. But don’t mistake simple for stupid – if it was easy to make songs this short, this catchy and this downright brilliant, everyone would be doing it. “I think they’re good songs,” says Sandwith. “And at the end of the day, if I like it then fuck it, who cares if other people do?” Despite being the subject of a record label bidding war, The Chats are releasing High Risk Behaviour on their own label, Bargain Bin Records. It’s indicative of a band that have embraced DIY culture since day one, to the point where Sandwith used to spend his days at the post office sending out merch orders. “We thought, if we just do it ourselves we don’t have to worry about getting swindled,” says Sandwith. “We’ve always done it our way.” Their determination to do things “our way” extends to their music, which is why High Risk Behaviour delivers everything you’ve come to love from The Chats – only more of it – and confirms their status as Queensland’s greatest ever export (apart from Bundy Rum). “I just want people to have a good time,” says Sandwith of the album. “I want them to dance around and have a beer and enjoy it. We don’t make songs for people to look at in a fucking emotional or intellectual way. We just make songs for people to jump around and have fun to.” ACCESS FULL ALBUM BIO HERE Follow The Chats: FACEBOOK | TWITTER | INSTAGRAM | WEB Follow Bargain Bin Records: INSTAGRAM | WEB

The Chats Release Debut Album ‘High Risk Behaviour’ Out Now

BRAIDS Share single + video ‘Snow Angel’ Shadow Offering release date moved to June 19

“He has become quite a force in electronic and rap scenes. Continually pushing boundaries of sound design on electronic experimentation." – Pilerats “Moonbase’s heavy production is laced with swirling, arpeggiated synth lines and gloppy 808 beats, reminiscent of the Neptunes early 2000s takeover.” – Pitchfork "One of the best base producers around." – Purple Sneakers The Australian authority on booming, dark bass Moonbase, returns today with both barrels blazing giving us his first music of 2020, releasing two new singles: 'Big Bags' (ft. QUE & Reese LaFlare) and 'Spins' (ft Ghostie). Keeping true to form Moonbase has once again commanded some big talent for ‘BIG BAGS’ this time recruiting vocals from Que & Reese LaFlare - the infamous Atlanta rappers whom Moonbase has always been a big fan of. The vocal style brings a gravel like texture and southern swagger to the track, while adding a new dimension to the Sydney producer's signature baselines and atmospheric approach. Part two of the release sees Moonbase flex his international cred once again on 'SPINS,' as he features yet another collaboration - this time up to bat is celebrated Baltimore rapper, Ghostie. Moonbase become aware of Ghostie more recently and reached out via Instagram. The result SPINS, it is short, sweet and packs a big old punch. The 'BIG BAGS' / 'SPINS' combo A-side is the first taste of Moonbase since he extended his repertoire to the world of Grime throughout 2019 with the EP's EP’s Heathen & Avalanche. For this release Moonbase says "as a challenge to myself, I wrote Spins and Big Bags using a pretty restricted palette - drawing inspiration from producers such as Brodinski and Kenny Beats." These new tracks find the producer once again changing lanes, whilst still supremely driving his own race - the only way Moonbase knows how. Having overcome profound setbacks with his health in the last few years, Moonbase has officially been back in full force for a minute now and the muscles he is flexing on his new music are unlike anything he has shown to the world so far. Considering 2020 is a year that is going to be laced with so much uncertainty and stress, it is comforting to know an artist like Moonbase, who has legit been through more than most of us could imagine, can still be out here pumping the pedal and producing great art, helping the rest of us navigate our way through the darkness. Moonbase’s New Double A-Side BIG BAGS x SPINS IS Out Now Via Dew Process / TRENCH Records / Universal Music Australia Follow Moonbase: Facebook | Twitter | Instagram

MOONBASE UNLEASHES DOUBLE A-SIDE ‘BIG BAGS’ (ft. QUE & Reese LaFlare) & ‘SPINS’ (ft. Ghostie) OUT NOW VIA TRENCH RECORDS / DEW PROCESS

BODY CORP RELEASES SOFT EXPRESSION EP - OUT TODAY + ENTHRALLING NEW SINGLE 'NEGATIVE REACTION'

BODY CORP RELEASES SOFT EXPRESSION EP – OUT TODAY + ENTHRALLING NEW SINGLE ‘NEGATIVE REACTION’

SOPHIYA PUTS EVERYONE ON NOTICE WITH NEW SINGLE, ‘ROSIE’

SOPHIYA PUTS EVERYONE ON NOTICE WITH NEW SINGLE, ‘ROSIE’