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Mac DeMarco: Enter Sandman – The Riviera Theater, Chicago IL,

September 11, 2026

Y U QT Drop New Single ‘Get Me High’ Via Technicolour

September 11, 2026

Internet Romance are ready to disappear into “Deep Blue”

September 11, 2026

AmyJo Doh & The Spangles Release New Single ‘It’s a Girl’

September 10, 2026

NYE ON THE HILL 2026 REVEALS ITS FULL LINEUP

September 10, 2026

TOKO NLZ Introduces Himself With Debut Single ‘Family Over Everything’

September 10, 2026

THIS IS LORELEI RELEASES ‘THE KID WITH THE CROWN’ AHEAD OF NEW...

September 10, 2026

FAT BOY SLIM – TOURING AUSTRALIA / MARCH 2027

September 10, 2026

TSIM Announce Two Very Different Shows for ‘No Mistakes Tour’ as Third...

September 9, 2026

Dreamstate Australia Reveals Final Lineup for 2027

September 9, 2026
by the partae
UNIFY Gathering is set to return to Tarwin Lower from January 21 – 24 2021 with an all-Australian lineup. Read the festival statement below: It’s no secret that the music industry is one of the hardest hit industries by the current situation, and our hearts go out to the artists, crew, agents and managers that have lost their entire touring plans with no certainty of when it is coming back. This festival launched in 2015 with entirely Australian artists, and we’ve had the pleasure of having pretty much every heavy artist in the country perform across our six events. Now we want to invite all of them back for a celebration of this community and everything it provides. We hope to get back as many artists as we can. We’ll be pushing dates back a week to make the January 21 - 24 weekend in 2021. In all of this chaos, one message stands as true as ever: music saves lives. It’s the inspiration in our lives and it’s the basis of communities that can band together to survive through tough times. We wanted this announcement out now to declare our intentions, and give the people in our community something to look forward to.  While UNIFY prides itself on connecting with the global heavy music community, it was with the local community of artists, crew, agents and managers that we launched our festival in 2015. In that first year, it felt like most of the Australian heavy music community got together to create one of the most memorable weekends of our lives. At the time, Australian heavy music artists were mostly unable to play festivals in AUS. We launched UNIFY because we wanted to see what it would be like for The Amity Affliction, Northlane and In Hearts Wake to play 40 minute sets at night at a festival. Looking at that lineup, it included many of the bands that defined the next half decade of Australian music, and that poster has become an iconic moment in the history of this community.  We are also aware that Australian artists are right now doing their best to reschedule current dates and look for opportunities that can work once life resumes. As such, UNIFY will also have no restriction on artists wanting to do tour dates surrounding our dates. We also won’t worry about putting through artists that played last year or the year before. It’s not about exclusivity for us, it’s about community.  We will be back with more details soon, but for now please join the event page to stay up to date as we roll out. 

UNIFY GATHERING ANNOUNCE ALL-AUSTRALIAN EDITION FOR 2021 + REVEAL FESTIVAL DATES LINEUP TO BE ANNOUNCED

After two years of long work, even working across winter to finish the tune, Just A Gent & Xavi release their melodic masterpiece - ‘Miso & Memories’ this Friday March 20. The song is produced by both Just A Gent and Xavi, with vocals by the extremely talented Akira Flay released independently. ‘Miso & Memories’ is an emotional track blending the best elements of pop and dance music creating an earworm you won’t soon forget. The catchy vocals paired with the bouncy feel of the production could sit across a nightclub dancefloor or commercial radio station. The track’s strong swing influence, along with the laid-back future bass style of the drop, keeps the listener wanting more. ‘Miso & Memories’ is also a sonic tale that brings about a sense of not only love, but also loss. This track expresses a feeling about the fabled “one that got away” and getting over them. Just A Gent is a young pioneer for the future bass music scene, teaching himself to produce at a young age accumulating millions of streams before he was legally allowed into a nightclub. In 2019 he released his third EP ‘URCA’ through Monstercat which was well received by media and fans alike, with Just A Gent going on to perform at FOMO, Groovin the Moo and Falls Festival over the year. With over 75 Million plays on Spotify alone, Just A Gent continues to grow with each release reaching new heights. Xavi is a St. Louis based melodic bass music producer, who has seen support from artists like Porter Robinson, San Holo, Luca Lush, and many more. His most recent releases include an official remix of “Kids” by Lione, released on Tiesto’s record label Musical Freedom, and a single on Electric Hawks recent compilation Rebirth, titled “She’s Beyond Us.” Akira Flay is a Santa Barbara, California based songwriter and producer blending hip-hop and electronic music with a varied somber or bombastic vocal delivery. Last month he released an EP titled “Hello, Goodbye.”

JUST A GENT RELEASES NEW SINGLE ‘MISO & MEMORIES’ WITH XAVI FEAT. AKIRA FLAY

Gordi along with the team behind the popular weekend streaming festival Isol-Aid are proud to unveil a special international lunchtime edition of Isol-Aid: Lunch Without Borders. Taking place over 2 hours from 11.30am Australian eastern time this Wednesday, Lunch Without Borders will see 5 artists from around the globe play a short Instagram Live concert for their Australian fans via Isol-Aid’s growing platform. They’ll be joined by 3 local Australian artists throughout the event. Isol-Aid launched 3 weeks ago and has run a live streaming festival over consecutive weekends and has been warmly embraced by the Australian music community. As borders start to close and touring in Australia an impossibility for international artists, Canowindra musician Sophie Payten (aka Gordi) wanted to connect her musician friends abroad with their Australian fans, while expanding the reach of Australian music industry charity Support Act. The curated event will see each artist play 15 minute back to back sets on their own Instagram Live stories, with traffic directed from Isol-Aid’s site and social accounts. The lunchtime concert will feature Tennessee singer and boygenius member Julien Baker. Her first two albums Sprained Ankle and Turn Out The Lights were met with critical acclaim and saw her perform numerous times on US late night TV, collaborate with an impressive list of artists and toured Australia most recently in 2018. Of Monsters And Men’s frontwoman Nanna Bryndís Hilmarsdóttir joins the Australian lunchtime event from her wintry home studio late at night in Iceland. With several number one albums in many countries, they recently celebrated the eighth anniversary of their debut album My Head Is An Animal. OMAM were recently out in Australia for Falls Festival over the new year period. Further inland from Nanna’s home in Reykjavik, Iceland is electro-folk falsetto star Asgeir.  Originally due to return to Australia next month, the popular singer released his third album Bury The Moon earlier this year. One in 10 people in Iceland own a copy of his debut album In The Silence. British indie electronic producer-singer Shura comes to us from her newly adopted home in Brooklyn.  Recently fleeing the UK as President Trump threatened to close borders, she made it back to the US just hours before the British travel ban was imposed. Her second album Forevher features the slinky synth pop single “religion”. Staying in New York, Hana Elion and JJ Mitchell make up synth pop duo Overcoats. Recently joining the Loma Vista roster, their recent track “The Fool” showcases the band’s emotionally-led harmonies and passionate delivery, which will no doubt be highlighted in raw acoustic duo format. Joining the overseas visitors for lunch are locals - our host Gordi whose second album Our Two Skins is out in June, as well as Melbourne experimental bedroom pop purveyor Katie Dey in solo piano mode and triple j Unearthed star George Alice who has caught global attention with her streaming hit “Circles”. The live stream will kick off from 11:30am this Wednesday (Aus EST), with each artist playing a 15 minute live set via Instagram Live.  It will be moderated by the Isol-Aid Instagram page where viewers can be directed to the individual artist accounts for each set. Viewers can donate to Support Act, Australia’s leading organisation raising awareness and funding for musicians and arts industry workers suffering from mental illness, injury and other related issues. More information on Support Act can be found at: supportact.org.au/about-support-act/who-we-are/   www.isolaidfestival.com/ Lunch Without Borders A Special International Edition of Isol-Aid   Wednesday 8 April   11:30am - 1:30pm AEST (Tue evening America and Europe) 8 course spread curated by Gordi: Asgeir Gordi Julien Baker Katie Dey Nanna Bryndís Hilmarsdóttir (from Of Monsters And Men) Overcoats Shura George Alice GORDI

GORDI & ISOL-AID PRESENT LUNCH WITHOUT BORDERS: AN INTERNATIONAL LUNCHTIME EDITION OF ISOL-AID FEATURING JULIEN BAKER, ASGEIR, SHURA, NANNA FROM OF MONSTERS AND MEN AND MORE

Southern California twin duo, The Garden, share the video for “Clench to Stay Awake” off their recently released fourth studio album Kiss My Super Bowl Ring. The album debuted #1 on the Alternative New Artists Albums Chart in the US and #6 on the Top New Artists Albums Charts in the US while just clicking over 1 million streams for the album worldwide.  WATCH THE VIDEO FOR “CLENCH TO STAY AWAKE”   The Garden have been carving their own path since their formation in 2011. Known musically for their fast, punk-influenced jungle and DnB styles, they have a total of four studio albums and four EPs under their name, including LPs The Life and Times of a Paperclip (2013), Haha (2015), and Mirror Might Steal Your Charm (2018), Kiss My Super Bowl Ring (2020). Touring at a constant rate across the US, Europe, UK, China, Japan, New Zealand, Australia, Canada, and Mexico since 2013, their show is a mix of aggressive, unpredictable and trickster-ish tendencies. Additionally, The Garden made their Coachella debut in 2019 with previous festival appearances at Camp Flog Gnaw, Sasquatch, Riot Fest, Concrete & Grass in Shanghai, Neon Desert, End of the Road Festival, Tropicalia, and more.    Kiss My Super Bowl Ring, though primarily self-produced, includes tracks co-produced by Dylan Brady, and Wharfwhit, along with tracks featuring Ariel Pink, Khalif Jones (aka Le1f) and even a snippet from Carrot Top. The new album rivals the band’s previous work lyrically and sonically with unmatched belligerence. Kiss My Super Bowl Ring boasts a roster of songs that just might be the most creatively rattling yet from the duo

THE GARDEN SHARE “CLENCH TO STAY AWAKE” VIDEO

Neon Future IV is Steve Aoki’s most pop-focused album yet, standing as the largest creative output from the futuristic concept series to date, featuring music from countless collaborators across global genres, including names such as Tory Lanez, Mike Shinoda, Lights, Desiigner, AGNEZ Mo, and actress/singer Zooey Deschanel amongst many more. Most recently, Steve teamed up with one of China’s biggest superstars Lay Zhang (from Exo) and will.i.am for ‘Love You More’, Travis Barker and Global Dan for ‘Halfway Dead’, and Latin pop sensation Maluma for the release of ‘Maldad’, which was #5 on Billboard’s Vamos a Bailar: The 10 Best Collaborations Between Dance & Latin Pop Artists list. Last year, Steve Aoki also worked with the iconic Sting and platinum-selling trio SHAED on contemporary love anthem ‘2 In A Million’ which received praise from the likes of The New York Times and Billboard, and capped things off with the Backstreet Boys on the emotional single ‘Let It Be Me’.   Steve Aoki says, “I have songs that are intrinsic to the DNA of what Neon Future is about and I have my club bangers and all this stuff, and they all work together, because at the end of the day they’re all musical expressions of this period of time of Steve Aoki. “The central force of Neon Future is more about the narrative of the evolution of Neon Future I, II, III and IV. If you listen to each album back to back, you can hear this musical evolution and that is most important for my fans to take away. Each volume in the series goes hand in hand with the songs that are meant to tell our future story.” In addition to including the biggest names in music, Neon Future IV stays true to other albums in the series by incorporating some of the leading minds of today, with the 17th song on the album ‘Homo Deus’. The track is named after the book Homo Deus: A Brief History Of Tomorrow, and features its writer: historian, philosopher, and bestselling author Yuval Noah Harari, who is also known for New York Times chart-toppers Sapiens: A Brief History Of Humankind, and 21 Lessons For The 21st Century. Continuing with the effortless fusing of literary and intellectual flare, the record includes Kita Sovee in the intro and outro, otherwise known as the character modelled after Steve Aoki from his Neon Future comic series with Impact Theory that explores the world of techno-optimism.

STEVE AOKI RELEASES HIGHLY-ANTICIPATED CROSS-GENRE COLLECTIVE, NEON FUTURE IV

Download / Stream After teasing listeners with the releases of "Sexy" and "Love Like That" over the last month, dance music veteran and icon Kaskade releases his highly-anticipated "Redux 004" EP in full. Redux series has become a much-loved tradition for the fans of Kaskade around the globe, and the new installment of the EP delivers a rich dose of intimate, deep and groovy vibes that the concept has become so well known for. In addition to "Sexy" and "Love Like That," the full release includes two brand new tracks that will transport you to another place and time in dance music, where underground shows were the norm, and the music took precedence over special effects. "Feel It" delivers a deep, driving bassline and liquid melodies that are born for making dark rooms groove. Next up is "Find Love," a sultry vocal-driven and melodic song on the lighter end of the spectrum for the EP. "Sexy" is perhaps the most provocative track, evoking images of balmy Miami nights, while "Love Like That"'s haunting piano riffs and sultry vocals will make you want to find a beautiful stranger on the dance floor. Just like its predecessors, "Redux 004" provides an immersive experience that takes listeners to the heart of dance music as it was years ago. It has always been a concept close to the hearts of Kaskade and his fans, and we hope it continues for many years to come.  As a household name in electronic music for nearly two decades, Kaskade needs no introduction. His list of achievements is a mile long: 11 studio albums, 7 GRAMMY nominations, the first solo electronic dance artist to sell out both Navy Pier in Chicago and the Staples Center in Los Angeles, the first DJ to ever secure a Las Vegas residency, and the first electronic artist to headline Coachella. Less tangible but even more important has been his influence on dance music tastes and culture for generations of listeners. Often Kaskade is one of the artists who introduced now-veteran listeners to the genre, and such fans are usually fans for life. In 2019, he worked with multi-award winner Meghan Trainor on "With You" and Gorgon City on "Go Slow," among solo releases, such as "My Light," "Come On," and official remixes for the likes of Alicia Keys, Jennifer Lopez, and Gwen Stefani earlier. Kaskade continues what has become a nostalgic tradition for many dance music veterans and a cherished experience for new listeners. Stay tuned for more news from Kaskade in 2020.

Kaskade Takes You to the Heart of Dance Music with Full Release of His Highly-Anticipated “Redux 004” EP. Out Now on Arkade

Alex Virgo debuts on TRICK with ‘Cheap Thrills’ EP. The London DJ & Producer brings pure energy and rave action with a definite licence to thrill. Alex Virgo – Cheap Thrills (Trick007 – Out Now)

Franky Rizardo announces the launch of his new label, LTF Records with four-track EP ‘Primrose’. The culmination of a number of years hard work, the Dutch DJ, producer, promoter and now label head proudly presents an outlet for his own music.   Encompassing an immersive feeling of energised focus, involvement, and enjoyment of his journey within the industry so far, LTF Records (Listen To Flow) is Franky Rizardo’s new platform to transport his listeners and followers into a flow state of mind.   One of The Netherlands finest exports, Franky Rizardo has long established himself as an international touring artist, as well as a name well renowned within his own country. Being ever present on Dutch national radio station, SLAM! has provided him with the perfect platform to develop and nurture a label that is crafted with clear intentions and identity; delivering uncompromising music based on his own experiences with the industry. Building a career based on strong philosophies, Franky has consistently aimed to do his own thing, keep everything in perspective and most of all, have fun.   From ingraining himself within the ANTS and elrow camps, to releasing on labels such as Strictly Rhythm, Rejected, Saved and 8Bit, Franky has become a name synonymous with deep driving house music that blurs the lines between Techno and House. The multi-faceted Dutch artist has also represented himself and his brand FLOW, at events such as Tomorrowland, Fabric – London, Shelter – Amsterdam, Amnesia – Ibiza and Soho Garden Dubai, further cementing his status as a one of electronic music’s most dynamic individuals.   Across four-tracks on the ‘Primrose’ EP, Franky focuses his energy firmly on the dancefloor, keeping people locked into his flow state. Opening with ‘Primrose’, the tracks low-end rumbles throughout, supplying the perfect atmosphere to keep the crowd moving. ‘Faze’ offers a wonky blissed out vocal alongside stabbing synth. Whereas ‘DC Terrace’ is a nod to the peak-time movements at Ibiza’s famous club, DC10. Closing the EP ‘Clouds’ provides an energised up-tempo focus track to engage to zone.   The label launches at time when authenticity within the industry is key. Franky continues to focus on his own output, never taking himself too seriously and always keeping full perspective on the task at hand. Inviting you to join him with LTF Records, Franky wants you to enter his flow state of mind.   Franky Rizardo’s ‘Primrose’ EP is out now via LTF Records. Connect with Franky Rizardo

Franky Rizardo Enters The Flow State Of Mind With New Label, LTF Records | Stream Now

Connect with Gorgon City

GORGON CITY TEAM UP WITH CHICAGO’S DRAMA TO RELEASE ‘NOBODY’ THEIR FIRST NEW MUSIC OF 2020

Hot on the heels of debut single ‘Flash’ on Adesso Music, Italy’s legendary house music export Junior Jack and his friend and label partner Pat BDS are back with follow up single ‘Tecky Dream’. Originally released in early March, the track sees a fresh reminder today with the new Audiojack tech house remix. Audiojack are the Leeds grown, Ibiza based duo who have built a solid reputation over the last decade as DJs, producers, remixers and label curators. Their original releases can be found on leading house and techno labels like Crosstown Rebels, 2020Vision and Hot Creations, as well as Tsuba, Leftroom and Culprit. They have remixed for labels such as Moon Harbour, B-Pitch Control and Diynamic, whilst Underworld, Groove Armada and Hot Since 82 are amongst the artists to have enlisted Audiojack for remixes.  “Tecky Dream (Audiojack Remix)” is available on now on all DSP via Adesso Music.

Audiojack on ‘Tecky Dream’ remix duties for Junior Jack and Pat BDS on Adesso Music

LONDON, April 3, 2020 – After gaining great support for the track with New York rappers STVSH and Jay Critch, open-format DJ Cruz felt like the track had more to it. He hit up ANGELZ, who in his turn, transformed the track into a real tech house banger. DJ Cruz had already gained support from artists as Tiësto, Avicii and DJ Snake for his tracks in the past. LA-Based DJ and Producer ANGELZ got on board and put his touch to ‘Get A Bag’, creating a tech house version. The track starts off with a high-tempo tech house-beat and soon after introduces the chorus with its distinguishable melody into the mix. Even though the track finds it roots in the rather raw New York hip-hop, ANGELZ was able to balance the sounds and turn it into a tech-house track, without sacrificing the tracks melody and vocals. With ‘Get A Bag’, DJ Cruz made his mark on the NYC hip-hop scene, still having close ties to electronic music, the remix felt natural to Cruz. Besides the remix by ANGELZ, DJ Cruz also released a remix by Austin Marc, which leans more towards trap. One thing is for certain and confirmed by DJ Cruz himself, we’ll be hearing a lot more from him in 2020. Listen Now ABOUT DJ CRUZ From scratching vinyl in underground hip hop clubs at the age of 15, to playing the most exclusive parties and clubs world-wide. What started as a passion in the basement turned into an impressive journey with residencies in cities like Paris, London, Milan, NYC and Dubai, playing events as fashion weeks, Cannes film festival, Art Basel, grand prix celebrations on yachts in Monaco, open airs and festivals. Not only is DJ Cruz one of the most sought after open-format DJs in the game, his own music has gained support from the likes of Tiësto, DJ Snake, AVICII, renowned radio station HOT97 and many more. With many unreleased tracks on his mac, plans to further expand his brand and collaborations with other artists, there is a lot more to come this year! CONNECT W/ DJ CRUZ Instagram Facebook SoundCloud YouTube Twitter Website

ANGELZ PUTS HIS TWIST ON DJ CRUZ’S ‘GET A BAG’ Transforming New York-style Hip-Hop and making it Tech House

TWO MEN, ONE RV AND 2000 MILES OF DUST AND DRINKS ANDHIM PRESENTS… ‘MILES TO GO’ A ROAD MOVIE HUNTING THE AMERICAN DREAM FOR BEERS, BOOBS AND BURGERS

TWO MEN, ONE RV AND 2000 MILES OF DUST AND DRINKS ANDHIM PRESENTS… ‘MILES TO GO’ A ROAD MOVIE HUNTING THE AMERICAN DREAM FOR BEERS, BOOBS AND BURGERS

Rising electro-pop star LILURA releases surprise new track ‘Disaster’

Rising electro-pop star LILURA releases surprise new track ‘Disaster’

After spending much of 2019  on the road with their EP Good Time, Hideous Sun Demon are back for a new decade with what is perhaps their most direct piece of music yet - the cranking ‘Gimmicks’. Sitting somewhere between Eddy Current Suppression Ring, Gang of Four and King Gizzard and The Lizard Wizard, the newest from Hideous Sun Demon will sit well with longtime fans, while introducing a new and tight sound to the public as a whole.   Admitting that they were growing bored with the sounds that had formed the foundations of their early material, Hideous Sun Demon went back to the drawing board when conceptualising this new phase of the band and what they wanted it to sound like. Working with Casey Hartnett (King Gizzard and The Lizard Wizard), Jeremy Giddings (Hot House Studios) and Joe Carra (Crystal Mastering), ‘Gimmicks’ came together as a reimagination of the music the trio loves, the essence of their dynamic as performers. “We had kinda gotten into this formulaic approach to songwriting that was defined by fuzzy guitars and doomy riffs. We were eager to adopt a wider breadth of influences, especially since Jake and Vin bonded over their love of post-punk and New Wave in their youth. We’ve started playing with cleaner guitars, writing songs that have a higher focus on tight playing rather than balls to the wall noise, as well as broadening what our sound can be. That’s essentially what Gimmicks is.” Hideous Sun Demon   Throughout last year, Hideous Sun Demon were honing their craft on stages throughout Europe, with the Good Time EP bringing them to the radars of many. Following on from 2018’s FAME, EROTIC, DREAM album (the band’s third), their 2019 material showcased a band that was further exploring their sonic identity. Heading into 2020, Hideous Sun Demon are flexing their songwriting and live muscles more than ever.

Hideous Sun Demon make a hectic return with the release of ‘Gimmicks’

Banger alert! The inimitable duo Mr. Belt & Wezol are back on Heldeep Records for the first time since 2018’s ‘Harmony’ and they’ve cooked up another absolute monster. Quite literally!   Taking its inspiration and lyrics from Lewis Caroll’s fantastical 1871 gibberish poem ‘The Jabberwocky’ — which is about a mythical beast — ‘The Jabberwock’ is a pounding high-energy house cut with inspiration from the bass music landscape. Glimmering harp trills shimmer over the distorted kicks and sharp hats in the intro before a dramatic, dark piano refrain brings us into the breakdown.  A dramatic female voice delivers lines from the poem before the drop hits with a warped synth hook and gnarly, bouncing bass to form the crux of the tracks. Little else is needed to make this track bang, with some haunting keys and eerie pad sounds creating a spooked atmosphere as we enter the next break.  Mr. Belt & Wezol are famed for their top disco-flavoured tracks like ‘Finally’, ‘Boogie Wonderland’ and ‘Let’s All Chant’, but this new single is one of their toughest yet. Their 'The Cuckoo’s Nest' Radio Show is also wildly popular, and appearances at the likes of Tomorrowland have shown their a huge force behind the decks.  CONNECT W/ MR. BELT & WEZOL Instagram Facebook Twitter SoundCloud Spotify YouTube Website CONNECT W/ HELDEEP RECORDS Facebook Instagram Twitter Spotify SoundCloud

MR. BELT & WEZOL DELIVER A TRUE BEAST ON ‘THE JABBERWOCK’ Out now via Heldeep Records

Delivered, Live Streaming Festival Releases Set Times and Revenue Recipients

Delivered, Live Streaming Festival Releases Set Times and Revenue Recipients

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