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by the partae
Stranger and Bunker, two of Melbourne’s most forward-thinking techno crews, will join forces for one the most exciting lineups to hit Melbourne in years. Heading to Australia to perform at the upcoming Pitch Music & Arts Festival, FJAAK, Objekt and SPFDJ is part of a small collective of niche techno artists highly sought-after across the globe. For one night only they will bring their brand of cutting edge dance music to The Bottom End for what will surely be a sell-out show. FJAAK (Live) (GER) From a Spandau-Basement experiment to a now well-established force in contemporary techno, the rise of FJAAK has seen the duo become an internationally renowned creative force. Gracing stages at global festivals ADE and Awakenings, alongside numerous slots at the Circoloco Ibiza, District 8, and techno institution Berghain, their dedicated fanbase comes in spades. With eleven singles & EPs, two albums and a couple of compilation appearances under their belt, FJAAK can look back on an extensive discography that packs quite a punch. This will be FJAAK’s Australian debut. Objekt (GER) Crossing a plethora of genres within his work, Objekt fuses electro, acid, bass, dub, and experimental into his work, while maintaining solid foundations in techno. Across his subsequent club output on labels such as Hessle Audio, Leisure System, Power Vacuum and his own imprint label, audacious sound design and meticulous arrangements have served to buckle and twist dancefloor conventions. His 150-bpm IDM opus ‘Ganzfeld’, released on a split EP with Dopplereffekt, was selected as Resident Advisor’s #1 track of 2014, while Mixmag named ‘Theme From Q’ their top record of 2017. SPFDJ (GER) Hailing originally from Sweden, SPFDJ’s beginnings were in London as part of the infamous collective Universe of Tang. Occasionally working at vicious speeds, acidic techno climes are fused with kaleidoscopic sounds, making for unique output. Alongside producer sprintf, she co-runs the Cranial Handles transmission, the System.out sound system, and the latest party coerced into life: Power Play. Drawing on the many and varied collaborative efforts at the heart of her activity, SPFDJ delivers Intrepid Skin, her label and outlet for autonomous developments. SPFDJ is as deft in moving the most debaucherous underground space as she is at opening the floor for big clubs like Corsica Studios and Oval Space. FJAAK (Live),Objekt and SPFDJ The Bottom End Friday 13 March 2020 Tickets available now from: https://www.eventbrite.com.au/e/bunker-stranger-present-fjaak-live-objekt-spfdj-tickets-89705594849

Bunker and stranger to host trio of techno acts – FJAAK (Live),Objekt and SPFDJ

ANNOUNCE DEBUT ALBUM HIGH RISK BEHAVIOUR OUT MARCH 27  THE CLAP SINGLE & VIDEO RELEASED TODAY The Chats have announced their debut album High Risk Behaviour, out March 27 on Bargain Bin Records/Cooking Vinyl Australia.   Pre-order High Risk Behaviour here To mark this momentous occasion the band have released an eye-watering new video for their new single The Clap, take it in below on an empty stomach. This is the closest you’ll ever hear The Chats get to write a love song (that is unless you are talking about their love of beer). A cautionary tale about a root gone wrong (direct quote), and an STI that just wouldn’t leave. The Clap features guitarist Pricey on vocal duties and is taken from the forthcoming album. WATCH THE VIDEO FOR THE CLAP HERE The Chats have the cops to thank for the title of their debut album, High Risk Behaviour.   If they didn’t keep hassling drummer Matt Boggis about skating in places he shouldn’t – and giving him tickets listing that as the offence – who knows what idiotic title the self-proclaimed “dropkick drongos from the Sunshine Coast of Australia” would have come up with.   And yet it’s the perfect name for an album that does not fuck around. An album that sounds like Aussie greats the Cosmic Psychos downing beers with The Saints before doing shots with the Buzzcocks and then spewing it all up behind the kebab van. An album that’s over in 28 blistering, funny, sweaty, unforgettable minutes, with half of its 14 songs failing to reach the two-minute mark. Some might call the Queensland trio lazy. Singer-bassist Eamon Sandwith sees it differently.   “I don’t want to make the songs boring, so I just keep them short and sweet,” shrugs the man whose mullet became an international talking point following the success of 2017 viral hit “Smoko”. “We try not to think about it or complicate it too much. You don’t want to force it or the song’s going to turn out crap.”   Since forming in their mate’s bong shed in 2016 while still at high school, that attitude has taken The Chats – completed by guitarist Josh Price, who once wrote a song called How Many Do You Do? in which he boasted of doing 52 “dingers” in a night – from the sleepy coastal village of Coolum (located roughly two hours north of Brisbane) to venues around the world. Their fanbase includes Dave Grohl, who loved the video for Smoko so much he showed it to Josh Homme, who then asked the trio to support Queens of the Stone Age on their 2018 Australian tour. Iggy Pop is also a card-carrying member of The Chats’ fanclub, requesting that they support him in Australia in early 2019 and peppering them with questions like, “What’s a smoko?” and “What’s a dart?”   The rest of 2019 was spent taking the world by storm armed with nothing more than guitars, drums, shorts, shirts and thongs (or, if it was a formal occasion, sandals and socks). Shows across Australia and the UK were sold out, and they performed their first gigs in America (the LA show was attended by Homme, Grohl and Arctic Monkeys’ frontman Alex Turner). The band capped off the year with a return visit to Britain, selling out venues such as London’s 2,300-capacity 02 Forum.   Suffice it to say, life has changed a fair bit for The Chats over the past two years.   “Well, I don’t have to work at the supermarket anymore,” says Sandwith.   That he does not. In fact Sandwith and his mates have been too busy touring, writing songs and, when their gigs took them to Victoria, dropping into engineer Billy Gardner’s studio in the coastal city of Geelong for a day of recording. That they chose this piecemeal approach explains why the album took 18 months to finish – a luxury considering 2017 EP Get This In Ya took four hours to record one hungover afternoon.   “If we’d just done a week and slogged it out we could have had an album before now but we just kept going in there and making newer and better songs so it’s hard to put a stop on it,” says Sandwith.   The sessions were fast. “Some of the songs were first-take and we were like, ‘That’s good, whatever’,” says Sandwith. “We’re really not perfectionists.”   Remarkably, they still found time to experiment with exotic instruments such as... a tambourine.   The end product is an album that buzzes like an out-of-control chainsaw, propelled by Sandwith’s spoken-spit-sung vocals, their three-chords-is-one-too-many approach, and an exacting combination of youth, vigour and drunkenness. But don’t mistake simple for stupid – if it was easy to make songs this short, this catchy and this downright brilliant, everyone would be doing it.   “I think they’re good songs,” says Sandwith. “And at the end of the day, if I like it then fuck it, who cares if other people do?”   Despite being the subject of a record label bidding war, The Chats are releasing High Risk Behaviour on their own label, Bargain Bin Records. It’s indicative of a band that have embraced DIY culture since day one, to the point where Sandwith used to spend his days at the post office sending out merch orders.   “We thought, if we just do it ourselves we don’t have to worry about getting swindled,” says Sandwith. “We’ve always done it our way.”   Their determination to do things “our way” extends to their music, which is why High Risk Behaviour delivers everything you’ve come to love from The Chats – only more of it – and confirms their status as Queensland’s greatest ever export (apart from Bundy Rum).   “I just want people to have a good time,” says Sandwith of the album. “I want them to dance around and have a beer and enjoy it. We don’t make songs for people to look at in a fucking emotional or intellectual way. We just make songs for people to jump around and have fun to.”   CATCH THE CHATS AT COACHELLA - APRIL 10 & 17   ACCESS FULL ALBUM BIO HERE   Follow The Chats: FACEBOOK | TWITTER | INSTAGRAM | WEB Follow Bargain Bin Records: INSTAGRAM | WEB

The Chats Announce Debut Album ‘High Risk Behaviour’ And Release ‘The Clap’

Handsome Tours is thrilled to announce the return of New York City’s Frankie Cosmos. Last in the Southern Hemisphere in 2017, Frankie Cosmos are heading back for Meadow Music Festival, as well as a string of intimate headline dates in March/April.  Originally the solo project of prolific New York City-based songwriter Greta Kline, Frankie Cosmos blossomed into a four-piece with a collection of globally acclaimed albums to their name. The group’s most recent 2019 offering, Close It Quietly (listen on Spotify, Apple and Bandcamp), is a continual reframing of the known. It’s like giving yourself a haircut or rearranging your room. You know your hair, you know your room. Here’s the same hair, the same room, seen again as something new. Close It Quietly takes the trademark Frankie Cosmos micro-universe and upends it, spilling outwards into a swirl of referentiality that’s a marked departure from earlier releases, imagining and reimagining motifs and sounds throughout the album. Kline delivers sharp observations and candid confessions via short bursts of melodious indie pop that Rolling Stone labelled "the best yet from an artist who’s spent the last few years on one of the more impressive songwriting binges in indie-pop". Frankie Cosmos’ fourth studio release is a manifestation of the band’s collaborative spirit: Greta Kline and longtime bandmates Lauren Martin (synth), Luke Pyenson (drums), and Alex Bailey (bass) luxuriated in studio time with Gabe Wax (War on Drugs, Fleet Foxes), who engineered and co-produced the record with the band. Tickets to Frankie Cosmos are on sale now. Visit handsometours.com for details. “An introspective land of scribbled poetic musings… a compellingly personal oral history.” - Under The Radar “Close It Quietly is composed and meticulous in flow, flawlessly delivering reserved passion. 8/10” - Exclaim! “...An aural square dance that’s well worth your time.” - PASTE “Their full-length fourth album Close It Quietly continues to delight us to no end. ★★★★.” - Far Out Magazine “...Their most mature work to date. Close It Quietly is full of the heart and charm that fans have fallen in love with.” The Line of Best Fit Handsome Tours presents Frankie Cosmos TIX ON SALE NOW VIA HANDSOMETOURS.COM Thursday March 26 The Aardvark, Fremantle Saturday March 28 Meadow Music Festival, Bambra Sunday March 29 Howler, Melbourne Tuesday March 31 Lansdowne Hotel, Sydney Thursday April 2 The Foundry, Brisbane Saturday April 4 Whammy Bar, Auckland Sunday April 5 Meow, Wellington FrankieCosmos @frankiecosmos Website frankiecombos

FRANKIE COSMOS ANNOUNCE AUSTRALIAN + NEW ZEALAND HEADLINE DATES ON TOUR IN MARCH/APRIL

Tour Dates Friday 21 February: Glamorama, Melbourne Saturday 22 February: Tusk, Wollongong Saturday 22 February: Goodbar, Sydney In 2018, Resident Advisor referred to Man Power as ‘intergalactic house music’. That description is as close as anyone has ever come to describing his sound. In the time Man Power has existed, as an alias of Newcastle’s Geoff Kirkwood, it’s been challenging to pin down what he is all about.  One look at his impressive discography should give you an idea of what he is about musically. It includes Life & Death, Hivern Discs, Optimo Trax, ESP Institute and Correspondent, alongside his own Me Me Me and newly minted Now Now Now imprints. His club bookings include the world's best, and he has played everywhere from Panorama Bar to Glasgow's Sub Club. His debut Australian tour has been a long time coming, and this February the wait is finally over… What makes Man Power difficult to categorise is what makes him so vital - each record, each set and each remix is unique. Drawing on house, techno, Italo, disco, post-punk, new wave and beyond, Kirkwood’s ability to bend well-worn genre tropes to his own will is impressive. Occasionally, he’ll even decontextualise embarrassing pop records to rapturous responses. As with any DJ/Producer biog, this doesn’t quite work unless it contains name drops aplenty so, as a fun game, try to unearth another artist in electronic music who has had a firm thumbs up from such a disparate bunch of artists like Ben UFO, Elton John, Bryan Ferry, Andrew Weatherall, DJ Harvey and DJ Bone recently… Connect with Man Power:

The debut Australian tour of an ‘intergalactic house’ producer Man Power

Nearly six years since their last Australian tour, Sebadoh are finally dragging their lo-fi slacker genius back to our shores this month! Due to demand, they’ve added a Perth show at Mojos Bar in Fremantle on Sunday 26th January and today announce local tour support acts (see listing below). With the release this year of their acclaimed return to form album Act Surprised, their first since 2013’s Defend Yourself, the band have returned to the genius that made them an essential part of every right thinking person’s record collection. On leaving Dinosaur Jr in 1988 and teaming up with old mate Eric Gaffney, Lou Barlow almost invented a new genre in rock n’ roll, signing to the seminal Seattle label Sub Pop and releasing a couple of cassette only releases that are much sought after collector’s items. Despite several line-up changes Sebadoh effectively became an outlet for Barlow’s creative efforts outside of Dinosaur Jr. As the obligatory hiatus for the first part of the 2000s kept fans wondering if they’d seen the last of them, 2007 saw Sebadoh reform to much acclaim and the promise of new recordings. That promise has now led to a second post-reformation recording, with Barlow taking time off from Dinosaur Jr to regroup with Jason Loewenstein and Bob D’Amico to track 15 new songs last year, with Justin Pizzoferrato, the engineer behind many Dinosaur Jr albums at the helm. The studio results see Loewenstein taking the lead on his more lo-fi style musings paired against his co-conspirator’s folkier style offerings, with the band actually spending more time working on this album than many of their previous minimalist efforts. “In the past,” says Barlow, “we would write in the studio and the songs would develop on the road.“ This time, we did some rehearsals a few weeks before recording,” adds Loewenstein, “which we almost never do. So we got a chance to not use the first take and took time to finesse things, which we also don’t usually do, so that was a good step.” For their first tour down under in almost six years, with a new album under their belts and their lo-fi garage slacker pop offering the blueprint for many acts worldwide, this is a rare chance for Australian fans to enjoy their seminal sound live. JUST ANNOUNCED Sunday 26th January 2020 - Mojo’s Bar, Fremantle WA with guests The Long Lost Brothers and DJ Bee Rizz Tuesday 28th January 2020 - Northcote Social Club, Melbourne VIC with guests Immigrant Union SOLD OUT Wednesday 29th January 2020 - Northcote Social Club, Melbourne VIC with guests Rot TV Thursday 30th January 2020 - Altar, Hobart TAS with guests Brightness SELLING FAST Friday 31st January 2020 - Crowbar, Sydney NSW with guests Immigrant Union SELLING FAST Saturday 1st February 2020 - The Foundry, Brisbane QLD with guests Brightness Tickets on sale now - https://lnkfi.re/SebadohAU Sebadoh | Out Of The Loop | Premier Artists

SEBADOH Announce Perth Show & Tour Supports

From Sophie Payten (Gordi): Australia is on fire. People are losing their loved ones, their homes and their communities. There have been irreparable losses to our wildlife and national parks. As in all times of tragedy, people are giving everything they can. The efforts of the Rural Fire Service, Red Cross and Wildlife Rescue are nothing short of heroic. Yet we have a dormant political system that is watching our country dry up.  These fires have fed on years of drought, on dry lifeless scrub. It is simply not an issue to debate - our country is heating from the climate crisis and now people are dying because of it. We cannot survive the inaction. We need our leaders to lead. I come from a small farming community that is drought-stricken – Canowindra in rural New South Wales.  As a kid I remember my Dad taking the RFS truck that lives in our shed to neighbouring properties to help put out fires. The NSW Rural Fire Service is made up of volunteers and local farmers and right now they need all the assistance we can give them. 100% of all proceeds from this song (including from my labels Jagjaguwar and Liberation) will go to the RFS. It is called 'The Cost'. Donate to the NSW Rural Fire Service here: https://www.rfs.nsw.gov.au/volunteer/support-your-local-brigade “Pay what you want” download donations are also available on Bandcamp. 'The Cost' Gordi Single out now through Liberation Records Available to buy/stream here   GORDI

GORDI – ‘THE COST’ SONG FOR AUSTRALIAN BUSHFIRE RELIEF

Scotland’s favourite underground tastemaker, DJ Prospect, is joining Apple Music’s Charlie Sloth in a hunt for fresh music talent   DJ Prospect is joining the internationally renowned presenter and pioneer of UK music, Charlie Sloth, on a mission to bring more musical talent to the forefront of the international stage.   The Edinburgh DJ, otherwise known as Ben J. Kaelin, has risen through the Scottish club scene building a formidable reputation on the decks.  Now, he's one of the most sought-after names in the game, playing alongside hip-hop royalty including Snoop Dogg, Drake and Eminem. Not only that, he’s been the first port of call when superstars like Justin Bieber and Lewis Capaldi need a private party.   DJ Prospect went on to make waves in Scotland's musical landscape & beyond when he took the reigns as mix resident at BBC 1Xtra. He championed Scottish sounds on the station with his slots on Charlie Sloth’s show before hosting a 1Xtra Scottish takeover with DJ Target last year.   Now, he's teaming back up with Charlie who caused some serious heat last year as he brought his legendary rap show to Beats 1 Radio as his Head A & R at Charlie’s label partnership Grimey Limey with Warner Records ADA and Downtown Music Publishing.   Charlie's impeccable taste and enthusiasm for the undiscovered has played a crucial role in the global success of UK genres like grime and UK rap. With previous releases from grime superstars like Giggs and Lady Leshurr, as well as Mancunian rap hero Bugzy Malone, Grimey Limey is on the search for fresh talent from Scotland and beyond with DJ Prospect at the helm.   International heavy-hitters like Lewis Capaldi and Calvin Harris have set the global stage, and now DJ Prospect says “The scene as a whole in the UK is a hot topic globally, and of course my eyes will always be on Scottish talent.”   DJ Prospect, said: “I’m excited to be joining this venture with Charlie Sloth. Charlie has had his ear to the ground for new talent from running one of the most successful music outlets Fire In The Booth on Youtube to being the voice of Hip-Hop on Radio 1 & now Apple Music with Beats 1.   For years we’ve connected on a creative level & when this opportunity came along it just made sense. Growing up the surrounding of music in Scotland, there is so much unheard talent amongst the incredible artists that have come out of here from Emeli Sande, Gerry Cinnamon, Lewis Capaldi, Calvin Harris to industry shakers like Young Fathers.   There something in our waters. I’m definitely looking forward to shining more light on our own. As for the record label & publishing, it’s a world wide deal so we’re looking to build a pool of creatives artists which much like Charlie’s ventures shake up the industry blueprint. There’s a lot of things already in the works to kick start the Grimey Limey label & publishing this year. We're excited to release these moves soon.”  

Scotland’s favourite underground tastemaker, DJ Prospect, is joining Apple Music’s Charlie Sloth in a hunt for fresh music talent

ALEXISONFIRE DEBUTS NEW SONG “SEASON OF THE FLOOD”

Meadow – March 27 - 29, 2020 Bambra, Victoria MUSIC – CAMPING – BYO General Release On Sale Now Regional Victorian music festival Meadow returns to Bambra from Friday 27 – Sunday 29 March 2020. Melbourne’s own new-age raconteur, Angie McMahon, and frenetic guitar-pop dynamos; Rolling Blackouts Coastal Fever will headline the 7th musical feast. Nestled on the edge of the Otways, backdropped by rugged bushland and open plains, Meadow will showcase a cross-section of contemporary music within a stacked three day, two-night program. The first taste of the 2020 bill dropped late last year, featuring NYC bedroom pop savante Frankie Cosmos, angelic local songstress Elizabeth and cinematic soul journeymen Surprise Chef. Now, Meadow is proud to unveil the full spread set to appear in the Bambra Bowl this Autumn.   Just 90-minutes southwest of Melbourne, perched on the edge of the Otways, Meadow unfolds between the rolling Bambra hills. The refreshments are regionally focussed with craft beers courtesy of Salt Brewing, gin from Great Ocean Road Gin, plus some of the tastiest cool climate wine in Australia from various Otway Hinterlands vineyards. Food stalls are handpicked to represent the region, and will be operated by local restaurants and businesses. FYI – the festival is still BYO, but when everything starts to taste a bit flat, head to the bar for something 4-dimensional. With the limited release allocation now exhausted, 300 general release tickets + glamping packages are now available starting from $170.00 + BF. Total capacity is carefully capped to maximise room for movement. Grab your tickets now - you don’t want to miss this party! One final and more serious note: BUSHFIRE RELIEF Whilst we've been blessed with luck on our side of the state, wildfires around Australia have devastated many. We are a small organisation, but alongside our punters we wish to make a real commitment. Meadow will be donating 20% of profits from 2020 ticket sales to the CFA in Victoria. Triple R and Forte Presents MEADOW 7 ANGIE MCMAHON ROLLING BLACKOUTS COASTAL FEVER FRANKIE COSMOS (USA) SHEER MAG (USA) DYSON STRINGER CLOHER CLOSE COUNTERS YOUTH GROUP LOURE ELIZABETH EMILY WURRAMARA COOL SOUNDS 3K DARCY JUSTICE SWEET WHIRL FIRST BEIGE ELLE SHIMADA COLLECTIVE COLETTE EGOISM SURPRISE CHEF 100 SWAZI GOLD + MORE TO COME March 27 - 29, 2020 Bambra, Victoria General release, 300 tickets available at $170.00 + BF $20.00 car parking pass per car Glamping available – $330 for two people, $450 for four people. Includes double mattress, super soft linen bedding, towels, cushions, blankets, chairs, LED lanterns and decorations. + Children under 12 free and Children over 12 can enter on a full-price ticket On Sale Now Until Monday 24 February (Unless Sold Out Prior) Tickets, information, artist profiles - https://www.meadowmf.com/

MEADOW 7 ANGIE MCMAHON & ROLLING BLACKOUTS COASTAL FEVER TO HEADLINE + LOCAL BAND COMPETITION OPEN + SUPPORT FOR BUSHFIRE RELIEF

It is with great delight that I OH YOU share ‘Dark Star’, a cutting single about the murky depths of infatuation and the final track to drop from Jack River’s forthcoming Stranger Heart EP ahead of its release on Valentine’s Day (Fri 14 Feb). Premiered last night via triple j Good Nights, and with a video premiere from Flood Magazine (US), ‘Dark Star’ joins first single ‘Later Flight’ and follow up piano ballad ‘Closer’, and sees River tap into long-past feelings and sing of the dark obsession underlying young love. When Rankin was 21 years old, she says she dreamed the bridge into being: "a racy, guitar-y, sentimental song that made you feel like you're driving past your ex's house". Rankin imagined a song that replicated the feeling of "having your heart dragged through the room" while listening to Oasis. Pitched high, the sweetness of her voice betrays the desperate, wanting plea that grows out of a feeling of being abandoned or forgotten. ‘Later Flight’ was River’s first single following the deluxe reissue of her three-time ARIA-nominated, critically acclaimed debut LP Sugar Mountain in May 2019. The track premiered on triple j Breakfast before quickly becoming the #1 most played song and saw strong support from the likes of Spotify and Apple Music, leading to the track and video being streamed over half a million times since its release last October. Follow up piano ballad ‘Closer’ made a splash on streaming platforms with accompanying the stunning video getting picked up by MTV and Rage. In the digital age, where inspiration can feel contrived and a search for authenticity often begins and ends with a hashtag, on Stranger Heart River has drawn a road map for an alternative way to feel and process. With this release, River set out to make music that sounds like a feeling and ‘Dark Star’ over delivers, transporting the listener back to their first unrequited love; a crushing state of both total euphoria and draining fixation.   Jack River recently played Grapevine Gathering in VIC, NSW and WA and is taking to the stage at Party In The Paddock next month. In late December, as a holiday present to her fans, Jack River announced she was giving away a special acoustic performance to one lucky fan that wished to have her play at their wedding, party or event. The competition winner will be announced in early February, to enter simply DM Jack River on Facebook Messenger starting the message saying – ‘play at my party’.  'Dark Star' Jack River Single out now through I OH YOU Available to buy/stream here Stranger Heart EP Jack River EP out Friday 14 February through I OH YOU Available to pre-order here Stranger Heart EP tracklisting: 1. Lonely Hunter 2. Later Flight 3. Night Song 4. Dark Star 5. Closer 6. Infinity Roses 7. 80'sHD JACK RIVER

Jack River Shares New Single & Video ‘Dark Star’ + ‘Stranger Heart’ EP Out Fri 14 Feb

Credit: Charlotte Patmore King Krule today announces the release of his forthcoming album Man Alive! with his first ever self-directed video. Following on from last year’s ‘Hey World!’ video in which Archy Marshall performed acoustic versions of four new songs, Man Alive! (set for release on 21 February 2020) will be the third King Krule titled studio album. Archy Marshall’s long-time love of cinema seeps out in his first foray into directing, with a video for ‘(Don’t Let The Dragon) Draag On’ that pulls influences from Carl Theodor Dreyer’s classic The Passion of Joan of Arc while still creating a typically wry King Krule visual. Presave / Pre-order Man Alive! https://kingkrule.ffm.to/manalive Archy Ivan Marshall has the world at his feet. After two feverishly received albums as King Krule, plus another low-key outing under his own name, this extraordinarily gifted 25-year-old from Peckham in South London adds further depth and substance to his oeuvre with another wondrous long-player called Man Alive!. It arrives packed full of his trademark sonic ambition and compositional skill, as well as the now-familiar corrosive lyricism and lurid social observation. Marshall has emerged as a pack leader amongst his peers, leading the charge in a fearless blurring of genre divisions, one minute seeming to drag the listener through the trashiest punk experience, the next ushering in a soundworld that’s apparently hi-tech and forward-looking. Like any great artist on the rise, Archy’s life is moving fast. There’s a lot to catch up on, after 2017’s sprawling masterpiece, The Ooz, broke through amid Mercury Prize nominations and minds-blown media plaudits. Unlike that record, Man Alive! doesn’t aim to present any kind of narrative thread, or Brexit-era state-of-the-nation address, just a collection of snapshots and stories, artfully sequenced into a dazzlingly coherent whole. This third King Krule album was written as a direct reaction to the non-stop energy of touring The Ooz, and then partly recorded at Shrunken Heads in Marshall’s native stamping ground of Nunhead, with ‘Ooz’ co-producer Dilip Harris. Midway through those sessions, however, Archy found out he was going to become a dad for the first time, and he decided to move up to the North West to be near the mother’s family, ready for the baby’s arrival. “I should’ve had it all wrapped up before my daughter was born,” says Marshall today with a sheepish grin. Impending parenthood came at a felicitous moment for him, as he was beginning to feel trapped in South London’s suburban lifestyle of all-eclipsing drunkenness and depression, which existing fans will know was a recurring theme in his earlier music. “It was just the easiness of it,” he reflects today. “There really is nothing else to do here, especially when it turns to winter. Everyone I know has jobs, whereas I’d sit on my arse all day sometimes not doing anything, then I’d go to the pub with them when they finished work. It became a bit habitual. Then, right in the middle of the record, this big change came in my life that I didn't really comprehend initially. It was like, ‘Oh, I’d better get my shit together!’ To be honest, I was really glad to get away from all that so I could focus on more pressing matters – like keeping a child alive and stuff.” The new album’s title, he explains, “is an exclamation, about the times we live in. Like, ‘Fucking hell, man!’” He stole the title from a CD that his uncle gave him back in 2013 with some of his uncle’s own music on it, and originally planned to use it for his last album. “More and more,” he explains, “I've been put off by the intention of speaking about what's going on in society as a black-and-white thing, or trying to get to the bottom of why we’re in this position. So the album is mostly made up of snapshots and observations. There are a lot of real-time-and-place moments, songs talking about walking through the park just over there and getting a head injury [don’t ask! – Ed.], then there are other tracks which are just simplicity, looking at one particular situation and reflecting on it as somehow being super-profound.” Just as the lyrics are diverse in theme and purpose, so is the music: ‘Comet Face’ lopes along with irresistible unease like a wonky New Wave hit, and ‘Stoned Again’ packs all the inspired beatmongery of ’90s hip hop, while much of the record’s sparser second half recalls the lo-fi intimacy of Robert Wyatt’s ’80s solo work, or indeed the recordings of mass-murderer Charles Manson. As the concluding ‘Please Complete Thee’ sails out on upliftingly twangsome slide guitar, you’d be forgiven for imagining that some of the more agonizing preceding numbers have served as a kind of therapy for their creator. “Oh yeah,” he freely admits, “once you’re able to discuss things and talk honestly, there is no better way than just shouting it out at a bunch of people. I was always empowered by lyricism and getting my aggression out in some way, or any kind of emotion. That has always been a process for me. This time I felt like I had gotten out of a dark place, and I was on a high. I appreciated the depression, and the low times I’d been through, but I also liked how I felt better in the here and now. So it was about reaching that new plateau.” King Krule - Man Alive! 1. Cellular 2. Supermarché 3. Stoned Again 4. Comet Face 5. The Dream 6. Perfecto Miserable 7. Alone, Omen 3 8. Slinky 9. Airport Antenatal Airplane 10. (Don't Let The Dragon) Draag On 11. Theme For The Cross 12. Underclass 13. Energy Fleets 14. Please Complete Thee King Krule - Man Alive! is out Friday 21 February via XL Recordings / Remote Control. xlrecordings.com remotecontrolrecords.com.au

KING KRULE Announces new album Man Alive! Shares ‘(Don’t Let The Dragon) Draag On’

PRAISE FOR WIKI "On OOFIE, Wiki perfects a form of personal, insular rap music that never disappears into the ether or shuts the rest of the world out."  Album of the Week, FBi Radio ‘”OOFIE” takes all the vividness he once levelled at New York and channels it inward, offering a despondent portrait of self-loathing that doubles as a critique of the hype-hungry nature of contemporary rap fandom.” The New Yorker "There’s an art to making personal, insular rap music without shutting the rest of the world out... Wiki walks it expertly." Stereogum "True to form, intricate and clever raps come packaged with Wik’s unmistakable cadence, an almost lazy drawl that defies the complexity of his content." Life Without Andy "OOFIE marks a striking return to the soundscape of New York for the rapper that still calls the city home." Wonderland Magazine I OH YOU, Illusive Presents and Frontier Touring are excited to announce the return of New York City rapper Patrick ‘Wiki’ Morales to Australia this February. Wiki will tour in celebration of his latest album OOFIE, described by Pitchfork as "tight, diaristic raps and vignettes and grimy production." Since departing XL Recordings, the record marks the rapper's first release with his own label, Wikset Enterprise in partnership with The Orchard. Two years on since his last international tour and sold-out stint in Australia, Wiki will take to three headline performances at The Tote in Melbourne on Wednesday 26 February, Black Bear Lodge in Brisbane on Thursday 27 February and at Sydney’s Factory Floor on Friday 28 February. The Frontier Members Pre-sale for this tour begins Thursday 16 January (11am AEDT) before tickets go on sale to the general public from Monday 20 January (11am AEDT). OOFIE is Morales' third solo album since his work with Ratking, following Lil Me and No Mountains In Manhattan. Released in November 2019, OOFIE, which was preceded by the single, 'Eggs', his collaboration with the legend, Madlib, showcases Wiki’s dexterity and skill as one of NYC’s greatest wordsmiths and curators, featuring collaborations with Lil Ugly Mane, Denzel Curry, Your Old Droog, Lansky Jones, Princess Nokia and duendita, including singles ‘Grim (feat. Lil Ugly Mane & Denzel Curry)’ and ‘Pesto’. Secure tickets early to avoid missing New York's rap prodigy live. OOFIE by Wiki is out now. Buy/stream it here.  Pre-order the CD/LP at www.wikset.nyc/shop out March 20 at all retailers. WIKI AUS & NZ TOUR DATES 26 Feb - The Tote - Melbourne 27 Feb - Black Bear Lodge - Brisbane 28 Feb - Factory Floor - Sydney 29 Feb - Farmer & The Owl Festival - Wollongong 1 March - Galatos - Auckland, NZ Pre-sale tickets available 16 Jan at 11am AEDT via frontiertouring.com/wiki General public tickets available 20 Jan at 11am AEDT Stay connected with Wiki:  Website | Instagram | Twitter | Facebook

WIKI TO RETURN TO AUSTRALIA IN FEBRUARY ON HIS OOFIE WORLD TOUR PRESENTED BY I OH YOU, ILLUSIVE PRESENTS & FRONTIER TOURING + RELEASES NEW VIDEO FOR ‘THE ROUTINE’ FROM OOFIE

Banoffee has shared the second single 'Count On You' from her debut album Look At Us Now Dad out Friday 21st February via Dot Dash (AU/NZ/Asia) and Cascine (ROW). 'Count On You', a full-throttle anthem fueled by blasts of jagged synths and written at the peak of the MeToo movement, is a relentlessly upbeat declaration of solidarity with survivors. The single comes with an uplifting video. As Banoffee describes: "This video was a thrill to make. My co-director Will Mcdowell and I had a pretty ambitious vision for the budget we had, and the lead up was just as hectic as our one shoot day. Training for the fencing scenes and practicing fencing inspired choreography was so much fun and like all my videos I was so happy to be showcasing friends and their skills through my work. Loosely themed around the Lindsay version of "parent trap" this video aims to take some heavy subjects and speak about them in a light-hearted yet eerie way. Working out this balance was probably the hardest part, although falling into a frog and slug infested manky ass pond rivals it for first place. There was a lot of sweat, dirt and laughter involved in the making of this clip!" Named as one of The NME 100 and Junkee's Ones To Watch for 2020, Banoffee is a Melbourne-born, Los Angeles-based singer/songwriter and producer with a musically transgressive and deeply vulnerable approach to pop. She has toured with Taylor Swift on a worldwide stadium tour as part of Charlie XCX’s troupe, and represents the new wave of mutant pop bubbling up from today’s queer club underground. She has been described as one of pop music’s “recent great forward thinkers” (FACT) and is known for infectious melodies that belie more unsettling, experimental textures and beats. Look At Us Now Dad is Banoffee’s debut album, and it is an uplifting, hopeful journey that celebrates survival in the face of abuse and adversity. Featuring collaborations with SOPHIE, Empress Of, Cupcakke, Umru, and co-produced by Banoffee and Yves Rothman, it is an exciting musical hybrid of experimental club sounds and earworm pop. “Each song uses human experience to talk about more complex concepts of addiction, obsession, heartbreak, and resurrection,” says Banoffee. “Not to dwell in sadness, but to join hands.” The album was written in the two years after the artist moved to Los Angeles from Melbourne in 2017, seeking a fresh start. Meticulously retracing her steps, Banoffee examined her life with a fine-toothed comb in order to reclaim her narrative and the struggles she’d once sung about in earlier releases. Look At Us Now Dad thus tells a story of survival—of abuse, sadness, and loss—and is a testament to the possibilities of rebirth. As Banoffee puts it: “Each track is about a struggle and achievement that anyone could experience, the ones that seem so trivial. We’re all survivors for one reason or another.” Look At Us Now Dad will be available digitally and on vinyl. Pre-order / Pre-save via https://banoffee.lnk.to/LAUND Banoffee - 'Count On You' (Official Video)

BANOFFEE Releases new single + video ‘Count On You’ Debut album Look At Us Now Dad out Feb 21 Supporting Wafia nationally this week

SEA YOU BEACH REPUBLIC

SEA YOU BEACH REPUBLIC ANNOUNCES FIRST WAVE OF ACTS BORIS BREJCHA, PAUL KALKBRENNER, CLAPTONE + MORE ANNOUNCED FOR 18TH + 19TH JULY

Brand New Music Conference to launch in Mexico - Cancun Music Week Cancun Music Week is the most comprehensive, and essential, International Electronic Music Conference in Latin America

Brand New Music Conference to launch in Mexico – Cancun Music Week Cancun Music Week is the most comprehensive, and essential, International Electronic Music Conference in Latin America

Landikhan releases his debut album